Toutes peintures ā l'huile d'Louis Janmot


Choice ID Image  Painting (From A to Z)       Details 
82938 Divine generation  Divine generation   Date 1854(1854) Medium Oil on wood cjr
86743 Divine generation  Divine generation   1854(1854) Medium Oil on wood cyf
82925 Fatherly roof  Fatherly roof   Date 1854(1854) Medium Oil on wood cjr
86738 Fatherly roof  Fatherly roof   1854(1854) Medium Oil on wood cyf
82915 First communion  First communion   Date 1854(1854) Medium Oil on wood cjr
94985 Flower of the Fields  Flower of the Fields   1845 Type Oil on wood Dimensions 103 cm x 83 cm cyf
86739 Memories of the sky  Memories of the sky   1854(1854) Medium Oil on wood cyf
82936 Passage of the soul  Passage of the soul   Date 1854(1854) Medium Oil on wood cjr
86742 Passage of the soul  Passage of the soul   1854(1854) Medium Oil on wood cyf
82908 Poem of the Soul  Poem of the Soul   Date 1854(1854) Medium Oil on wood cjr
96217 Poem of the Soul  Poem of the Soul   1854(1854) Medium Oil on wood cyf
97058 Poem of the Soul  Poem of the Soul   1854(1854) Medium Oil on wood cyf
83244 Poem of the Soul  On the mountain  Poem of the Soul On the mountain   1854(1854) Medium Oil on wood cyf
83241 Poem of the Soul  One evening  Poem of the Soul One evening   1854(1854) Medium Oil on wood cyf
83239 Poem of the Soul  The flight of the soul  Poem of the Soul The flight of the soul   1854(1854) Medium Oil on wood cyf
82927 Poem of the Soul - Memories of the sky  Poem of the Soul - Memories of the sky   Date 1854(1854) Medium Oil on wood cjr
92679 Poem of the Soul - Sunrays  Poem of the Soul - Sunrays   Date 1854(1854) Medium Oil on wood TTD
83236 Poem of the Soul Ideal  Poem of the Soul Ideal   1854(1854) Medium Oil on wood cyf
83235 Poem of the Soul Reality  Poem of the Soul Reality   1854(1854) Medium Oil on wood cyf
97057 Poem of the Soul Sunrays  Poem of the Soul Sunrays   1854(1854) Medium Oil on wood cyf
82930 Spring  Spring   Date 1854(1854) Medium Oil on wood cjr
86740 Spring  Spring   1854(1854) Medium Oil on wood cyf
82932 The Angel and the Mother  The Angel and the Mother   Date 1854(1854) Medium Oil on wood cjr
86741 The Angel and the Mother  The Angel and the Mother   1854(1854) Medium Oil on wood cyf
82910 The golden stairs  The golden stairs   Date 1854(1854) Medium Oil on wood cjr
82922 The nightmare  The nightmare   Date 1854(1854) Medium Oil on wood cjr
86737 The nightmare  The nightmare   1854(1854) Medium Oil on wood cyf
82918 The weed grain  The weed grain   Date 1854(1854) Medium Oil on wood cjr
82914 Virginitas  Virginitas   Date 1854(1854) Medium Oil on wood cjr

Louis Janmot
(21 May 1814 - 1 June 1892) was a French painter and poet. Janmot was born in Lyon of Catholic parents who were deeply religious. He was extremely moved by the death of his brother in 1823 and his sister's in 1829. He became student at the Royal College of Lyon where he met Frederic Ozanam and other followers of his philosophy professor, Abbe Noirot. In 1831 he was admitted to the École des Beaux-Arts de Lyon and a year later, he won the highest honor, the Golden Laurel. In 1833, he came to Paris to take painting lessons from Victor Orsel and Jean-Auguste-Dominique Ingres. With other Lyon painters, he entered the Society of St. Vincent de Paul. In 1835, he went to Rome with Claudius Lavergne, Jean-Baptiste Frenet and other students and met Hippolyte Flandrin. After his come back to Lyon in 1836, Janmot would attract the attention of critics of the Salon de Paris in conducting large-scale paintings with religious inspiration such as The Resurrection of the son of the widow of Nain (1839) or Christ in Gethsemane (1840). After 1845, he attracted the interest of Charles Baudelaire with his painting Flower of the Fields that allowed him to access to the Salon of 1846. Theophile Gautier was impressed by his Portrait of Lacordaire (1846). But the failure of his Poem of the Soul at the Universal Exhibition of 1855 disappointed him. In December of that year he married Leonie Saint-Paulet, from a noble family in Carpentras. In 1856, Janmot obtained a commission to paint a fresco (since destroyed) representing the Last Supper for the church of St. Polycarp. Other orders followed, including the decoration of the dome of the Church of St. Francis de Sales and for the town hall that had been renovated by his friend the architect T. Desjardins. He was then appointed professor at the École des Beaux-Arts.



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